Fun with AI Art – Fantasy Story Concept Art?

MidJourney AI-generated art of a concept of the map for the fantasy story

Fun with AI Art - Fantasy Story Concept Art?

Friday, September 23, 2022

It’s been fun using Midjourney to play around with, but I’ve found it really interesting to use it to try to flesh out some things visually for a fantasy story I’ve had bouncing around my head for a few months. It’s a story of two girls searching for their mother after their father is killed by members of a dark force cult in a fantasy world. The story is still in its infant stages in my head, but the exploration has helped me to get a feel for the grit and world building potential with the story. It’s also interesting to visualize what things will look like as the story progresses, how the characters will look, that kind of thing. 

One reason I know concept artists shouldn’t feel threatened by AI art right now, at least from MidJourney? There’s only so much it can do with people. Results are often more cartoony than realistic. So, I guess it depends on what kind of concept art you’re dealing with, but it still feels a very long way off. Plus, you’re totally at the mercy of the AI interpreting your prompt correctly. You wind up with more “happy accidents” than purposefully specific artwork. At least, that’s been my experience.

Working in the Deep End

An image of the darkest part of the ocean with waves and foam. Photo by Ivan Bandura at Unsplash

Working in the Deep End

Thursday, September 22, 2022

There’s something I’ve seen in so many UX/UI/Product job postings over the last few weeks: X years experience in UX/UI in a Y environment working on Z products. And it’s a little unnerving for someone looking to make a lateral move in design.

And it’s forcing me to look back at my life and think “Am I nuts for even applying for these things?”

The answer is no, but not because of all of the LinkedIn posts that say you should apply anyway. With the last few jobs I’ve had, I’ve realized I’m most successful working in the deep end.

Here’s what I mean.

When I started at Rebox in 2014, the company was made up of a Creative Director, a President that also served as Account Director and Business Development person and a bookkeeper/office manager. Seemed like an ideal situation, I could get my feet wet with a small team, learn under a creative director with 20 years of experience, make some connections and gain some experience. Six weeks later, I was the only designer in the company. The creative director and the president split their partnership, and I was left to figure out how to do my job more or less on the fly.

Within six months, I’ve designed a sock and sourced a sock manufacturer in South Carolina for a Movember promotion; I’ve started design work on an enormous 30+ SKU CPG packaging project  requiring calls to printers in Winnipeg to understand everything I need to know about flexographic printing; and establishing my voice on a team that didn’t always understand the importance of design in our business. Stressful? Sure. Doable? Definitely.

Here’s another example I’ve needed to remind myself of. In 2010 I started a job as the manager of Air Canada’s Ground Support Equipment parts facility in Calgary. The revolving door of managers in the previous six months had left a mess on several fronts and meant that Air Canada was ready to fire my (new)  employer for not doing it’s job in managing inventory. It took six months, but with a bit of support I was able to turn it around, clean up all the outstanding billing and inventory issues and make Air Canada happy. And my employer. So much so that they flew me out for the launch of a new branch in Detroit before offering me the job managing the (much) larger brand in Vancouver.

This isn’t an exercise in back-patting, (I hope) I’m more humble than that. But these are good and necessary personal reminders that no matter what comes down the pipe, I got this. I’m going to be successful at this. I’ve done it before and I’m going to do it again. And again. And again. My curiosity is my superpower, but my desire and stubbornness to get good at something I’m interested in, even if I don’t know every part of the job, has always paid off.

So I need to reassure myself: why would this new adventure and growth into UX/UI/Product Design be any different?

Photo above by Ivan Bandura on Unsplash

My Curiosity is My Superpower

Photo of a very curious peering at the camera with mountain background

My Curiosity is My Superpower

Wednesday, September 21, 2022

When I sat down for the tenth time to begin working on this website, I asked myself a number of questions: What work should I show? What fonts should I use? Why does my head look so big in that picture? Does that shade of green really represent who I am as a person? 

When I got all of the “designer” questions out of the way, I was left with this: Why Me? It’s a question that came up all the time at my last job. Why do people engage you to buy stuff? What is it about you that’s special, that no one else has? It’s a great question to ask, and SUPER HARD to answer, as it turns out. But it has to be answered.

I eventually settled on the idea that I’m a “multi-disciplinary designer with a broad range of experience” (jack-of-all-trades has sat on my LinkedIn profile for forever, but it didn’t feel right anymore). I’ve always thought titles were borderline pointless because they mean different things at different companies, especially when you try to take into account “Junior” “Intermediate” and/or “Senior” in a title.  What’s intermediate at one place might be VERY senior elsewhere.

Unfortunately, it’s only taken a pretty cursory search through LinkedIn over the past week to discover that a lot of people have branded themselves as “Multi-disciplinary designers.” It hasn’t caused an existential crisis or anything, but it’s made me start thinking about what else makes me “special.” 

I sat down for coffee with a friend of mine, noted Wolf Kicker and recent Governor General’s Medal of Bravery recipient Russ Fee. We had a VERY interesting discussion about a lot of these things. Russ is in the same boat as I am career-wise. After listening to me complain that my broad range of interests and curiosities was causing a lot of personal frustration (because not every thing you needs to be monetized), Russ asked a really poignant question: Do you think that’s your superpower, having this broad range of interests? And I was kind of struck silent. 

And looking back on the last 25 years of my life, I realized that it might be. Near the top of my personal philosophies is the pursuit of Life Long Learning. I’ve cultivated what I think is a really broad range of interests: the art and craft of filmmaking, fiction writing, history, military & political science, geopolitics, design, photography, music making, songwriting, front end coding, city building and urban planning, the legal system, healthcare, climate and climate change, hiking, camping, backpacking, baking, beer brewing, cooking, gardening, architecture, astronomy, and on and on and on. 

Some of these areas go a little deeper, some are pretty surface. Part of it feels like a survival mechanism, trying to understand the way the world works in all of its forms. It usually involves a lot of reading. As I’ve gotten older, I’ve learned to shut up more and listen. Process. Ask questions. Synthesize new information and how it fits. THAT part has been an interesting personal observation.

That curiosity—and the desire to pursue that curiosity—has led to a number of changes. On a couple occasions, I’ve quit a job I was REALLY good at to go back to school, once to finish a degree, the other to become a designer. I’m constantly on the lookout for courses and workshops. Staying curious and open to new information has found me in conferences about how healthcare is delivered and how cities are designed. It’s opened my eyes to injustices that are systemic in our society and how those things can be overcome. I’ve started to learn about how I can contribute my knowledge and experience to maybe making a very small part of the world a little bit better. 

Sometimes that curiosity leads to terrifying realizations: potential collapse of our climate and our civilization; circular patterns in history that indicate dark periods on the horizon; technology moving faster than our systems are able to keep up, opening the door for a lot of people to get left behind, or worse. But those things that are terrifying spark the desire to do more to prevent them.

Working in design has been an incredible conduit to feed it. Every day you’re learning something: a client’s business and products/services; new tools and skills; new ways of thinking about a problem; new challenges to solve. I love it.

So yeah. Maybe that broad interest base, that curiosity is my superpower. Now it’s time to go out there and keep using it. (Thanks Russ!)

 

Photo by Eli Allan on Unsplash

Playing With AI Art

An AI art image of an astronaut looking over a Martian plateau at sunrise

Playing With AI Art

Saturday, September 10, 2022

Back in July I started noticing that Olaf Blomerus, someone I followed on Instagram, had started posting new images created from Midjourney. After marvelling at the images he was posting, I wanted to check it out. It’s an interesting experiment, to be sure. There are a lot of legal and ethical issues that are tied to AI art generation, all of which are complicated and nuanced. And like most things tied to technology over the last 20 or 30 years, the speed at which this is moving is far faster than our institutions are able to keep up with. On a personal note, I don’t think I can picture any instance in my past work where I would have benefitted from having this tool. 

I don’t think it’s going to replace anyone working in the creative concept art fields. I had a recent conversation with my Aunt who’s a fine artist and photographer, and she was blown away by what the technology is capable of. But I don’t think it’s a replacement for the art that she and other artists create. Some of the images created from my prompts have been useful in helping me personally visualize something on my writing projects, but I can’t ever imagine using anything I’ve created from a prompt being used professionally. I’d rather pay someone for their expertise. Happily I’m not the only one that feels that way. Is it possible that that would change in the future? Sure. Is it inevitable? Not at all.

Anyway, below are some examples that I’ve created since the start of August. It’s been fun to experiment, and also fun to see what other people create in the Discord channels.

I’m pretty sure this is something I’ll keep playing with every month, at least for a little bit. I’ll post more that are interesting and worth looking at as they come up. In the mean time, I’ve started keeping some of these and using them as writing prompts and explorations on a new Instagram account. Feel free to follow there.